A Biography of Robert Flaherty

 

1884 Robert J. Flaherty is born in Iron Mountain, Michigan, USA
Robert Flaherty as a boy with his family
1896 Flaherty travels to Ontario, Canada with his father mining for gold
Even in my youth I was always exploring new country. My father was a mining engineer and, in manner of speaking we were a nomad family. We moved from one gold-mining camp to another in various parts of Canada. I was then about 12 years of age. I learnt to track and hunt rabbits from the Indians and I had an Indian dog-team and toboggan. It was frontier country where the Indians were much more primitive than they are now
It was from these experiences that Flaherty's idealism, his love of the 'primitive', and his fascination with the different ways of native life developed.

1898 His parents attempt to provide a structured education and Flaherty attends Upper Canada College in Toronto.

1900 Unhappy at school Flaherty returns to explorations with his father. As I grew up, even in my teens, I went on prospecting expeditions with my father, or with his men, often for months at a time, travelling by canoe in summer and by snow-shoe in winter. It was sometimes new country, country that hadn’t been seen before, the then little known hinterland of Northern Ontario

1902 Flaherty attends the Michigan College of Mines where he meets Francis Hubbard to whom he becomes engaged. He is expelled from the college after only seven months.

1907 Over the next years Flaherty works for various companies but always in a capacity that feeds and encourages his impulse for exploration: searching for iron-ore with U.S. Steel, prospecting for marble along the west coast of Vancouver Island, surveying the vast territory owned by the Grand Trunk Pacific Railway, and prospecting for a small mining syndicate above Lake Huron.

1910 In Toronto, Flaherty meets Sir William Mackenzie who employs him to explore the Nast Islands of Gulf Hazard along the sub-arctic coast of Hudson Bay. The expedition is a failure in the sense that what iron-ore Flaherty had been able to find was too lean to be economically valuable. However from his contacts with the Innuits Flaherty is led to believe that there may be more important iron ore stores to be found on a group of unexplored islands known as the Belchers a hundred miles to the west.

1913 After surveying the Ungava Peninsula by sledge with Innuit companions Flaherty returns to Southern Canada where Mackenzie equips him with ship, crew and supplies for an expedition to the Belcher islands. One piece of equipment Mackenzie provides is particularly important:
Just as I was leaving, Sir William said to me casually , "Why don’t you get one of these new-fangled things called a motion picture camera?" So I bought one but with no other thought really than of taking notes on our exploration. We were going into really interesting country, we’d see interesting people . I had no thought of making a film for theatres. I knew nothing whatsoever about films
Flaherty also commented that at the time the only thought I had in connection with the use of the motion camera was to compile visual notes of the exploration
(This is only one of several accounts of the incident. Robert Griffith's book, authorised by Flaherty, gives the impression that the idea to take a camera was Flaherty's.)

1914 Wintering in Newfoundland Flaherty begins to experiment with his Bell & Howell camera:
February came, cold but glowing clear and calm. Then we began our films. We did not want for co-operation. The women vied with one another to be starred. Igloo building, conjuring, dances, sledging and seal-hunting were run off as the sunlit days of February and March wore on
The summer saw the Belcher Islands finally reached and mapped - the Canadian government later named the largest of the group ‘Flaherty Island’

1915 After returning to America to marry Francis Hubbard, Flaherty undertakes another expedition to the Belcher Islands where he films the islanders’ crafts, ways of living, and methods of travel.

1916 Flaherty spends several months creating a print from the 70,000 feet of film he has now shot. The assembled print is sent to Harvard to be screened but while packing the negative to send to New York Flaherty drops his cigarette onto some scrap film and the entire 70,000 feet of negative goes up in flames (Flaherty is seriously injured trying to put out the fire). The only remaining ‘Harvard print’ is shown to various groups to indifferent reaction.
People were polite ..but I could see that what interest they took in the film was the friendly one of wanting to see where I had been and what I had done. That wasn’t what I wanted at all. I wanted to show the Innuit. And I wanted to show them, not from the civilised point of view but as they saw themselves, as ‘we the people’. I realised I would have to go to work in an entirely different way.
The lessons of the failed Harvard print undoubtedly contributed to Flaherty's philosophy of film making.

1917 Although Flaherty is keen to try again the constraints of the war mean finance cannot be found for another expedition so he stays in America and writes of his travels.

1919 A chance meeting with a Captain Thiery Mallet of the Revillon Freres company leads to the firm of French furriers agreeing to finance Flaherty to make his film at cost of around $35,000. The two conditions of the sponsorship are that the film should be based at one of the Revillon Freres’ trading posts, Port Harrison on the northeaster coast of the Hudson Bay, and that the opening titles of the film should carry the words ‘Revillon Freres presents…’.

1920 After a two month journey by schooner and canoe Flaherty arrives at Port Harrison, meets Nanook, an Innuit who becomes the focus of his film.
1921 Flaherty continues filming on location for 16 months. He returns to southern Canada in August to edit the film.

1922 Pathe agrees to distribute the film and Nanook of the North receives its opening run at the Capitol in New York.

1926 After the success of Nanook of the North Flaherty is feted by the film industry and goes on to make a series of films exploring the same drama of man pitted against nature in lesser developed societies, the first of which is Moana: A Romance of the Golden Age

1929 White Shadows in the South Seas is released
Flaherty, aged 43, departing by train for Hollywood to begin production of White Shadows in the South Seas

1931 Tabu, A Story of the South Seas is released

1933 Industrial Britain is released

1934 Man of Aran is released

1937 Elephant Boy wins best director with Zoltan Korda at the Venice Film Festival

1942 The Land is released

1948 Louisiana Story is released

1949 Flaherty is jointly nominated with Francis for best writing Oscar for Lousianna Story

1950 The Titan: the story of Michelangelo is released

1951 Flaherty dies aged 67, his films revered by the documentary world as the standard by which all subsequent attempts to bring real life to the screen are judged.