FOOTNOTES
1. Jacques Aumont, Montage Eisenstein (London BFI 1987), p.58.2. Sergei Eisenstein & Jay Leda (ed.), Film Form (Harcourt Brace Jovanovich 1949), p.46.
3. Sergei Eisenstein & Jay Leda (ed.), Film Form (Harcourt Brace Jovanovich 1949), p.72.
4. Sergei Eisenstein & Jay Leda (ed.), Film Form (Harcourt Brace Jovanovich 1949), p.74.
5. Sergei Eisenstein & Jay Leda (ed.), Film Form (Harcourt Brace Jovanovich 1949), p.74.
6. Sergei Eisenstein & Jay Leda (ed.), Film Form (Harcourt Brace Jovanovich 1949), p.82.
7. Sergei Eisenstein & Jay Leda (ed.), Film Form (Harcourt Brace Jovanovich 1949), p.38.
8. Sergei Eisenstein & Jay Leda (ed.), Film Form (Harcourt Brace Jovanovich 1949), p.38.
9. Richard Taylor & Ian Christie, The Film Factory: Russian and Soviet Cinema in Documents1896-1939 (Routledge & Kogan Paul 1988), p.216.
10. Richard Taylor & Ian Christie, The Film Factory: Russian and Soviet Cinema in Documents1896-1939 (Routledge & Kogan Paul 1988), p.230.
11. Richard Taylor & Ian Christie, The Film Factory: Russian and Soviet Cinema in Documents1896-1939 (Routledge & Kogan Paul 1988), p.231
12. Bela Balazs, Theory of Film (Dover Publications 1970), p.129.
13. Jacques Aumont, Montage Eisenstein (London BFI 1987), p.149.
14. Richard Taylor & Ian Christie, The Film Factory: Russian and Soviet Cinema in Documents1896-1939 (Routledge & Kogan Paul 1988), p.41.
15. Sergei Eisenstein & Jay Leda (ed.), Film Form (Harcourt Brace Jovanovich 1949), p.36.
16. Richard Taylor & Ian Christie, The Film Factory: Russian and Soviet Cinema in Documents1896-1939 (Routledge & Kogan Paul 1988), p.66.
17. Sergei Eisenstein & Jay Leda (ed.), Film Form (Harcourt Brace Jovanovich 1949), p.37.
18. Richard Taylor & Ian Christie, The Film Factory: Russian and Soviet Cinema in Documents1896-1939 (Routledge & Kogan Paul 1988), p.199.
19. Cover of The Battleship Potemkin (Tartan Video).
20.. http://www.film100.com
21. Bill Nichols, Blurred Boundaries : Questions of Meaning in Contemporary Culture (Indiana University Press 1994), p.126.
22. Sergei Eisenstein & Jay Leda (ed.), Film Form (Harcourt Brace Jovanovich 1949), p.200.
23. Sergei Eisenstein & Jay Leda (ed.), Film Form (Harcourt Brace Jovanovich 1949), p.200.
24. Sergei Eisenstein & Jay Leda (ed.), Film Form (Harcourt Brace Jovanovich 1949), p.234.
25. Sergei Eisenstein & Jay Leda (ed.), Film Form (Harcourt Brace Jovanovich 1949), p.211.
26. Sergei Eisenstein & Jay Leda (ed.), Film Form (Harcourt Brace Jovanovich 1949), p.201.
27. Sergei Eisenstein & Jay Leda (ed.), Film Form (Harcourt Brace Jovanovich 1949), p.128.
28. Sergei Eisenstein & Jay Leda (ed.), Film Form (Harcourt Brace Jovanovich 1949), p.131
29.. Sergei Eisenstein & Jay Leda (ed.), Film Form (Harcourt Brace Jovanovich 1949), p.134.
30. Richard Taylor & Ian Christie, The Film Factory: Russian and Soviet Cinema in Documents1896-1939 (Routledge & Kogan Paul 1988), p.114.
31. Ronald Bergan, Eisenstein: A Life In Conflict (Little Brown 1997), p.307.
Introduction Page
1. 'Eisenstein on a throne', Ian Christie & David Elliott (ed.), Eisenstein at Ninety (Museum of Modern Art Oxford), p.73. (Digitised Copyright: Rajan Malhotra)
Montage Theories
2. 'Potemkin sailor', David Mayer, Eisenstein's Potemkin: A Shot by Shot Presentation (Da Capo Press 1972), p.1. (Digitised Copyright: Rajan Malhotra)
The Shot
3. 'Eisenstein in Cutting Room', Ian Christie & David Elliott (ed.), Eisenstein at Ninety (Museum of Modern Art Oxford), p.142. (Digitised Copyright: Rajan Malhotra)
4. 'Conflict of Graphic Directions', John Hetherington, The Complete Films of Eisenstein (Wiedenfeld and Nicolson 1974), p.58. (Digitised Copyright: Rajan Malhotra)
5. 'Conflict of Planes', Sergei Eisenstein & Jay Leda (ed.), Film Form (Harcourt Brace Jovanovich 1949), p.53. (Digitised Copyright: Rajan Malhotra)
6. 'Conflict of Masses', The Complete Films of Eisenstein (Wiedenfeld and Nicolson 1974), p74. (Digitised Copyright: Rajan Malhotra)
7. 'Conflict of Volumes', Sergei Eisenstein & Jay Leda (ed.), Film Form (Harcourt Brace Jovanovich 1949), p.53. (Digitised Copyright: Rajan Malhotra)
8. 'Conflict of Scales', John Hetherington, The Complete Films of Eisenstein (Wiedenfeld and Nicolson 1974), p. 89. (Digitised Copyright: Rajan Malhotra)
Intellectual Montage
9. 'October Poster', Mildred Constantine & Alan Fern, Soviet Revolutionary Film Posters (Johns Hopkins University Press 1974), p.25. (Digitised Copyright: Rajan Malhotra)
Conflicting Views
10. 'Screaming Woman', David Mayer, Eisenstein's Potemkin: A Shot by Shot Presentation (Da Capo Press 1972), p.180. (Digitised Copyright: Rajan Malhotra)
11. 'Animated Kerensky Image', John Hetherington, The Complete Films of Eisenstein (Wiedenfeld and Nicolson 1974), p. 101&102. (Digitised Copyright: Rajan Malhotra)
12. 'Osip Brik', Richard Taylor & Ian Christie, The Film Factory: Russian and Soviet Cinema in Documents1896-1939 (Routledge & Kogan Paul 1988), p.186. (Digitised Copyright: Rajan Malhotra)
13. 'Bezhin Meadow', Richard Taylor & Ian Christie, The Film Factory: Russian and Soviet Cinema in Documents1896-1939 (Routledge & Kogan Paul 1988), p.182. (Digitised Copyright: Rajan Malhotra)
Lev Kuleshov
14. 'Kuleshov face, Richard Taylor & Ian Christie, The Film Factory: Russian and Soviet Cinema in Documents1896-1939 (Routledge & Kogan Paul 1988), p.274. (Digitised Copyright: Rajan Malhotra)
15. 'Mr West cover', http://us.imdb.com/Title?0015167 (copyright: The Internet Movie Database).
Vsevolod Pudovkin
16. 'Pudovkin film posters', Mildred Constantine & Alan Fern, Soviet Revolutionary Film Posters (Johns Hopkins University Press 1974), p.81&82. (Digitised Copyright: Rajan Malhotra)
Eisenstein's Legacy
17. 'Stone/Hitchcock animated gif', http://www.geocities.com/2682 (Oliver Stone Website) & http://www.imdb.co.uk (copyright: Internet Movie Database).
Biography
18. 'Eisenstein reading', Ian Christie & David Elliott (ed.), Eisenstein at Ninety (Museum of Modern Art Oxford), p.18. (Digitised Copyright: Rajan Malhotra)
19. 'Eisenstein & Family', Ian Christie & David Elliott (ed.), Eisenstein at Ninety (Museum of Modern Art Oxford), p.42. (Digitised Copyright: Rajan Malhotra)
20. 'Eisenstein as a boy', Ian Christie & David Elliott (ed.), Eisenstein at Ninety (Museum of Modern Art Oxford), p.48. (Digitised Copyright: Rajan Malhotra)
21. 'Vsevolod Meyerhold', Ian Christie & David Elliott (ed.), Eisenstein at Ninety (Museum of Modern Art Oxford), p.137. (Digitised Copyright: Rajan Malhotra)
22. 'Gloumov's Diary', Ian Christie & David Elliott (ed.), Eisenstein at Ninety (Museum of Modern Art Oxford), p.30. (Digitised Copyright: Rajan Malhotra)
23. 'Kabuki actor', Ian Christie & David Elliott (ed.), Eisenstein at Ninety (Museum of Modern Art Oxford), p.77. (Digitised Copyright: Rajan Malhotra)
24. 'Skeleton', Ian Christie & David Elliott (ed.), Eisenstein at Ninety (Museum of Modern Art Oxford), p.164. (Digitised Copyright: Rajan Malhotra)
25. 'Ivan The Terrible', Ian Christie & David Elliott (ed.), Eisenstein at Ninety (Museum of Modern Art Oxford), p.158. (Digitised Copyright: Rajan Malhotra)
26. 'Eisenstein on death bed', Ian Christie & David Elliott (ed.), Eisenstein at Ninety (Museum of Modern Art Oxford), p.161. (Digitised Copyright: Rajan Malhotra)
Theatre Influence
27. 'Scene from Gloumov's Diary', Ian Christie & David Elliott (ed.), Eisenstein at Ninety (Museum of Modern Art Oxford), p.95. (Digitised Copyright: Rajan Malhotra)
28. 'Eisenstein at Meyerhold's Workshop', Ian Christie & David Elliott (ed.), The Film Factory: Russian and Soviet Cinema in Documents1896-1939 (Routledge & Kogan Paul 1988), p.49. (Digitised Copyright: Rajan Malhotra)
29. 'The Bathhouse', Marc Slonim, Russian Theatre: From the Empire to the Soviets (Metheun 1963), p.149. (Digitised Copyright: Rajan Malhotra)
30. 'Biomechanics actors', Alma Law & Mel Gordon, Meyerhold, Eisenstein and Biomechanics (McFarland & Company Publishers 1996), p. 114. (Digitised Copyright: Rajan Malhotra).
Eastern Influence
31. All Kabuki pictures,http://mc.axis.co.jp/MISO/KABUKIKYORYU/KABUKI/ehome.html
(copyright Kabuki For Everyone website).D.W. Griffith
32. 'D.W. Griffith', http://www.film100.com (copyright Film 100 website).
33. 'D.W. Griffith film posters', http://us.imdb.com/Title?0012532 (copyright Internet Movie Database).
Conclusion
34. 'Eisenstein and Pudovkin', Ian Christie & David Elliott (ed.), Eisenstein at Ninety (Museum of Modern Art Oxford), p.168. (Digitised Copyright: Rajan Malhotra)
Links Page
35. 'October clickable poster', Mildred Constantine & Alan Fern, Soviet Revolutionary Film Posters (Johns Hopkins University Press 1974), p.83. (Digitised Copyright: Rajan Malhotra)
Other Graphics
All 'fire' headings and title page logo courtesy of www.cooltext.com (Cooltext Website), all animated gifs created using Gif Construction Set.
BIBLIOGRAPHY
1. Ian Christie & David Elliott (ed.), Eisenstein at Ninety (Museum of Modern Art Oxford).
2. John Hetherington, The Complete Films of Eisenstein (Wiedenfeld and Nicolson 1974).
3. Sergei Eisenstein & Jay Leda (ed.), Film Form (Harcourt Brace Jovanovich 1949).
4. Jacques Aumont, Montage Eisenstein (London BFI 1987).
5. David Bordwell, The Cinema of Eisenstein (Harvard University Press 1993).
6. Ronald Bergan, Eisenstein: A Life In Conflict (Little Brown 1997).
7. Richard Taylor & Ian Christie, The Film Factory: Russian and Soviet Cinema in Documents1896-1939 (Routledge & Kogan Paul 1988).
8. Richard Taylor & Ian Christie, Inside the Film Factory : New Approaches to Russian and Soviet cinema (Routledge 1991).
9. Denise J. Youngblood, Soviet Cinema in the Silent Era, 1918-1935 (UMI Research Press 1985).
10. Sergei Eisenstein & Jay Leda (ed.), The Film Sense (Faber 1943).
11. Scott Simmon, The Films of D.W. Griffith (Cambridge Univeristy Press 1993).
12. Marc Slonim, Russian Theatre: From the Empire to the Soviets (Metheun 1963).
13. David Sterritt, The Films of Alfred Hitchcock (Cambridge University Press 1993).
14. Sam P. Simone, Hitchcock as Activist: Politics and the War Films (UMI Research Press 1985).
15. Bill Nichols, Blurred Boundaries : Questions of Meaning in Contemporary Culture (Indiana University Press 1994).
16. Bela Balazs, Theory of Film (Dover Publications 1970).
17. David Mayer, Eisenstein's Potemkin: A Shot by Shot Presentation (Da Capo Press 1972).
18. Mildred Constantine & Alan Fern, Soviet Revolutionary Film Posters (Johns Hopkins University Press 1974).
FILMOGRAPHY
1. The Battleship Potemkin (Sergei Eisenstein 1925).
2. October (Sergei Eisenstein 1927).
3. JFK (Oliver Stone 1991).
4. Psycho (Alfred Hitchcock 1960).
5. The End of St Petersburg (Vsevolod Pudovkin 1927).
6. Mother (Vsevolod Pudovkin 1926).
7. The Birth of A Nation (D.W. Griffith 1915).
8. The Little Boy From Riga (BBC 1987).